https://jiamingzhang.site jiamingzhang Wed, 10 Apr 2024 08:54:12 +0000 https://jiamingzhang.site en https://jiamingzhang.site/How-to-unfreeze-the-frozen-image Wed, 10 Apr 2024 08:10:15 +0000 jiamingzhang https://jiamingzhang.site/How-to-unfreeze-the-frozen-image How to unfreeze the frozen imageHD｜Color | Dual-channel video Installation｜ 1920x1020｜ 7'44''｜ 2024 <img width="3024" height="1696" width_o="3024" height_o="1696" data-src="https://freight.cargo.site/t/original/i/139e494d169eafe2559bb97de5c87840a4fc07f9d62cf7d6d0e90ab2f0dbfda5/Still-01.png" data-mid="208642845" border="0" src="https://freight.cargo.site/w/1000/i/139e494d169eafe2559bb97de5c87840a4fc07f9d62cf7d6d0e90ab2f0dbfda5/Still-01.png" /> <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/6c5d6089bd934515d01ff81bb6825df1dfd327f7f5d454987715f0935642e8b1/Exhibition-DocuStill.png" data-mid="208642841" border="0" src="https://freight.cargo.site/w/1000/i/6c5d6089bd934515d01ff81bb6825df1dfd327f7f5d454987715f0935642e8b1/Exhibition-DocuStill.png" /> When the ice bath is viewed as an action, it is framed as an event that takes place. In the eye of the story, we see a frozen temporality in which neither image, text nor video are any more, but only the action itself. What cannot be ignored is that the human body becomes a mediator in this process, undergoing changes in bodily perception, each person having their own unique experience that is fascinating to observe verbally or through words. And how the body interacts with the temperature and the water becomes a proposition: is it the stimulation that brings the body into action, or is it the accumulation of the psychological level, as in the case of photographic exposure, we always ignore the process of that moment, so how to decipher the frozen image? HD｜彩色雙頻道錄像裝置｜1920x1020｜7’44’’｜2024 <img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/cab79f803a5f458b26930d049993456cdd55a0061a4a246ae951f6bf4d65803e/Still-07.png" data-mid="208642856" border="0" src="https://freight.cargo.site/w/1000/i/cab79f803a5f458b26930d049993456cdd55a0061a4a246ae951f6bf4d65803e/Still-07.png" /> <img width="3024" height="1689" width_o="3024" height_o="1689" data-src="https://freight.cargo.site/t/original/i/c3ac89ccc26e042ae54d3f9682fabb31c0eb3e7ec67d70558ba2fcc4574484b9/Still-03.png" data-mid="208642850" border="0" src="https://freight.cargo.site/w/1000/i/c3ac89ccc26e042ae54d3f9682fabb31c0eb3e7ec67d70558ba2fcc4574484b9/Still-03.png" /> <img width="3024" height="1702" width_o="3024" height_o="1702" data-src="https://freight.cargo.site/t/original/i/948f580f36d6d32fa8de367065fc55df5e2a59e6f7fbac2deca9e8a6d64dab54/Still05.png" data-mid="208642869" border="0" src="https://freight.cargo.site/w/1000/i/948f580f36d6d32fa8de367065fc55df5e2a59e6f7fbac2deca9e8a6d64dab54/Still05.png" /> <img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/7cbe6e3ad5403003eec9f5337aee1bad207e159b8b400f50e8b6d7314c208652/Still-08.png" data-mid="208642863" border="0" src="https://freight.cargo.site/w/1000/i/7cbe6e3ad5403003eec9f5337aee1bad207e159b8b400f50e8b6d7314c208652/Still-08.png" /> 當冰浴被視爲一個動作時，它就被定格爲一個正在發生的事件。在故事的眼中，我們看到的是一種凝固的時間性，其中不再有圖像、文字或視頻，只有動作本身。不容忽視的是，在這一過程中，人體成爲中介，身體感知發生變化，每個人都有自己獨特的體驗，這種體驗通過語言或文字進行觀察是非常迷人的。而身體如何與溫度和水互動則成爲一個命題：是刺激讓身體開始行動，還是心理層面的積累，就像攝影曝光一樣，我們總是忽略了那一刻的過程，那麼如何解凍定格的影像呢？ This is the trailer of the work. https://jiamingzhang.site/Re-traveling Wed, 10 Apr 2024 08:54:12 +0000 jiamingzhang https://jiamingzhang.site/Re-traveling Re-travelingHD｜Color | Dual-channel video Installation｜ 1920x1020｜ 118'55''｜ 2023 <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/0745ba47a3c1209116d846f3eef20f22f8827250b622936ed7417c059af844f3/DSC08135.JPG" data-mid="208651022" border="0" src="https://freight.cargo.site/w/1000/i/0745ba47a3c1209116d846f3eef20f22f8827250b622936ed7417c059af844f3/DSC08135.JPG" /> <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/64042cc88b5d6984d486ff828e6ceb957c26d32ea216943238ff3c5324bddfcf/DSC08083.JPG" data-mid="208651021" border="0" src="https://freight.cargo.site/w/1000/i/64042cc88b5d6984d486ff828e6ceb957c26d32ea216943238ff3c5324bddfcf/DSC08083.JPG" /> <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/8479f21e6259a9bbc6834c90e01e7dc78631a2284f152e157cd260bfb96b93c3/DSC08175.JPG" data-mid="208651024" border="0" src="https://freight.cargo.site/w/1000/i/8479f21e6259a9bbc6834c90e01e7dc78631a2284f152e157cd260bfb96b93c3/DSC08175.JPG" /> <img width="6000" height="3376" width_o="6000" height_o="3376" data-src="https://freight.cargo.site/t/original/i/72bd477b2ce4ca11becfa80402ee0ac2af5f0db54e94ede3c8f2f34ec64d1287/DSC08163.JPG" data-mid="208651023" border="0" src="https://freight.cargo.site/w/1000/i/72bd477b2ce4ca11becfa80402ee0ac2af5f0db54e94ede3c8f2f34ec64d1287/DSC08163.JPG" /> I projected three images on three walls of a space. The images are based on two films by Edward Yang, "Taipei Story " and "Terrorizers", and the other from a video I shot of the actual urban space. Through the framing of a hand-held camera to capture the "Image Coating" in the space, and the use of a hand-made Electro-magnetic Microphone to pick up the magnetic fields emitted by electronic devices. The montage of indoor and outdoor scenes in the film is reconnected by direct filming through the displacement of the body, and the separation between the "inside" and "outside" of the space is opened up to an overlapping and juxtaposed path. 經由一條內外的路徑HD｜彩色單頻道錄像｜1920x1020｜6’24’’｜2023 <img width="1920" height="539" width_o="1920" height_o="539" data-src="https://freight.cargo.site/t/original/i/2d99ed75454436d0cc7343941f1d0d20c19be11a098131a52d55d5f0197e0f1f/bodyFilm.00_34_09_13.Still002.png" data-mid="208650282" border="0" src="https://freight.cargo.site/w/1000/i/2d99ed75454436d0cc7343941f1d0d20c19be11a098131a52d55d5f0197e0f1f/bodyFilm.00_34_09_13.Still002.png" /> 我將兩個影像分别投影於空間的牆面上，影像取材於楊德昌的兩部電影《青梅竹馬》及《恐怖份子》。透過手持攝影機的框景去「剪接」空間中的「影像塗層」，並利用自製的電磁波麥克風（Electro-magnetic Microphone）收取播映端的聲音電磁訊號。我以「觀看機制關係的人」為視角化作眼睛游離於影像的表面，並試圖鬆動空間中影像的「內部」與「外部」通向一條交疊並置的路徑。 The video production was re-edited from a two-hour, one-shot video. https://jiamingzhang.site/Moving-Between-Inside-and-Outside-1 Wed, 10 Apr 2024 02:09:11 +0000 jiamingzhang https://jiamingzhang.site/Moving-Between-Inside-and-Outside-1 Moving, Between Inside and OutsideHD｜Color | Single-channel video｜ 1920x1020｜ 6'24''｜ 2022 <img width="3024" height="1700" width_o="3024" height_o="1700" data-src="https://freight.cargo.site/t/original/i/3baf80dc017ef56b53bc2e79215036aeecaffc96855647b543fe8221800908dd/2023-02-03-22.09.20.png" data-mid="208625828" border="0" src="https://freight.cargo.site/w/1000/i/3baf80dc017ef56b53bc2e79215036aeecaffc96855647b543fe8221800908dd/2023-02-03-22.09.20.png" /> <img width="3024" height="1699" width_o="3024" height_o="1699" data-src="https://freight.cargo.site/t/original/i/fa9c3f2a43a6e2d46fa4f73d0e84a7fef433c9a31a3f9c481589c3ef7fdcd76a/2023-02-03-22.08.03.png" data-mid="208625827" border="0" src="https://freight.cargo.site/w/1000/i/fa9c3f2a43a6e2d46fa4f73d0e84a7fef433c9a31a3f9c481589c3ef7fdcd76a/2023-02-03-22.08.03.png" /> <img width="3024" height="1700" width_o="3024" height_o="1700" data-src="https://freight.cargo.site/t/original/i/c1bbbf64236448244dad16a1069e61a78e17c889bff0f7642dc228a7b00963a2/2023-02-03-22.04.45.png" data-mid="208625830" border="0" src="https://freight.cargo.site/w/1000/i/c1bbbf64236448244dad16a1069e61a78e17c889bff0f7642dc228a7b00963a2/2023-02-03-22.04.45.png" /> <img width="3024" height="1700" width_o="3024" height_o="1700" data-src="https://freight.cargo.site/t/original/i/89134534c78188179fc6e8745f50ac95dbacb83c3d7fd69fb59777cfa8bccb67/2023-02-03-22.07.45.png" data-mid="208625832" border="0" src="https://freight.cargo.site/w/1000/i/89134534c78188179fc6e8745f50ac95dbacb83c3d7fd69fb59777cfa8bccb67/2023-02-03-22.07.45.png" /> <img width="3024" height="1700" width_o="3024" height_o="1700" data-src="https://freight.cargo.site/t/original/i/fdc48066039119b065aab49e1e94ffcba858e1b313e42d63572f40239e54ce51/2023-02-03-22.05.58.png" data-mid="208625831" border="0" src="https://freight.cargo.site/w/1000/i/fdc48066039119b065aab49e1e94ffcba858e1b313e42d63572f40239e54ce51/2023-02-03-22.05.58.png" /> <img width="3024" height="1700" width_o="3024" height_o="1700" data-src="https://freight.cargo.site/t/original/i/ca44c079f5cd8c34e0ca0fa621b825ab4ac3b4b5b3ce66d9634965429f322857/2023-02-03-22.06.07.png" data-mid="208625829" border="0" src="https://freight.cargo.site/w/1000/i/ca44c079f5cd8c34e0ca0fa621b825ab4ac3b4b5b3ce66d9634965429f322857/2023-02-03-22.06.07.png" /> I projected three images on three walls of a space. The images are based on two films by Edward Yang, "Taipei Story " and "Terrorizers", and the other from a video I shot of the actual urban space. Through the framing of a hand-held camera to capture the "Image Coating" in the space, and the use of a hand-made Electro-magnetic Microphone to pick up the magnetic fields emitted by electronic devices. The montage of indoor and outdoor scenes in the film is reconnected by direct filming through the displacement of the body, and the separation between the "inside" and "outside" of the space is opened up to an overlapping and juxtaposed path. 經由一條內外的路徑HD｜彩色單頻道錄像｜1920x1020｜6’24’’｜2022 <img width="1920" height="539" width_o="1920" height_o="539" data-src="https://freight.cargo.site/t/original/i/2d99ed75454436d0cc7343941f1d0d20c19be11a098131a52d55d5f0197e0f1f/bodyFilm.00_34_09_13.Still002.png" data-mid="208625833" border="0" src="https://freight.cargo.site/w/1000/i/2d99ed75454436d0cc7343941f1d0d20c19be11a098131a52d55d5f0197e0f1f/bodyFilm.00_34_09_13.Still002.png" /> 我將兩個影像分别投影於空間的牆面上，影像取材於楊德昌的兩部電影《青梅竹馬》及《恐怖份子》。透過手持攝影機的框景去「剪接」空間中的「影像塗層」，並利用自製的電磁波麥克風（Electro-magnetic Microphone）收取播映端的聲音電磁訊號。我以「觀看機制關係的人」為視角化作眼睛游離於影像的表面，並試圖鬆動空間中影像的「內部」與「外部」通向一條交疊並置的路徑。 The video production was re-edited from a two-hour, one-shot video. https://jiamingzhang.site/How-to-expose-the-image-of-a-city Wed, 10 Apr 2024 02:09:13 +0000 jiamingzhang https://jiamingzhang.site/How-to-expose-the-image-of-a-city How to expose the image of a city?Photographic Installation｜Size dependent on space｜ 2022 <img width="5168" height="2912" width_o="5168" height_o="2912" data-src="https://freight.cargo.site/t/original/i/b0e71004b2050fb18a7881e107f26140671b8fc00247aab65179069d3f468a69/DSC04375-1.jpg" data-mid="208625840" border="0" src="https://freight.cargo.site/w/1000/i/b0e71004b2050fb18a7881e107f26140671b8fc00247aab65179069d3f468a69/DSC04375-1.jpg" /> In a foreign country, I construct my imagination about home through the light of a distant window. It was a window that I remembered from the past, with a shimmering light. I tried hard to see what was inside the house. In the process of pulling the focal length, I was like a snooper, using the long focal length to close the distance between me and it. The protective varnish on the photograph emits its own light when exposed to UV light, just like a light-sensitive coating. The location of the light on the photo It can be compared to the second exposure of photography. Such a process is like exposing the invisible layer of depression behind the urban architectural space. 如何曝光一個城市的影像 攝影裝置 | 尺寸由空間而定 | 2022 <img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/d06487afa91f25b2e1fe636cf4702efab89e3d048114fe0cb1076c6cda51574a/2023-02-03-00.02.36.png" data-mid="208625836" border="0" src="https://freight.cargo.site/w/1000/i/d06487afa91f25b2e1fe636cf4702efab89e3d048114fe0cb1076c6cda51574a/2023-02-03-00.02.36.png" /> <img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/46e64cb08b35b2e1b887342e9badb6a5823ce802eec80d71b928d7973cfa0e8d/2023-02-03-00.02.55.png" data-mid="208625837" border="0" src="https://freight.cargo.site/w/1000/i/46e64cb08b35b2e1b887342e9badb6a5823ce802eec80d71b928d7973cfa0e8d/2023-02-03-00.02.55.png" /> 處在異鄉透過遠處窗的光景建構關於家的想像，那是記憶中似曾相識的窗戶，透著微光，努力地想要看清屋內的事物。在拉動焦段的過程中，我像是一個窺探者，在用長焦段拉近我跟它之間的距離。 照片上的保護漆如同感光塗層一般，受到紫外光線的照射而發出自身的光亮；照片上光亮的位置如夜晚透光的窗戶，發出另外一種光線，可以比做攝影的二次曝光，這樣的過程就好像要將都市建築空間中背後看不見的那一層壓抑面暴露出來一樣。 This is a live documentary video. It records the black and white photos illuminated by the motor-driven UV light. https://jiamingzhang.site/The-Places-where-Light-has-been Wed, 10 Apr 2024 02:09:14 +0000 jiamingzhang https://jiamingzhang.site/The-Places-where-Light-has-been The Places where Light has been HD｜Color｜ Single-channel video｜ 1920x1020｜ 1'55''｜ 2020 <img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/2f92e3c1f84f84107c98c276bf4a792cc706aa485d0fb11826e56f78091ce204/2023-02-03-21.18.25.png" data-mid="208625843" border="0" src="https://freight.cargo.site/w/1000/i/2f92e3c1f84f84107c98c276bf4a792cc706aa485d0fb11826e56f78091ce204/2023-02-03-21.18.25.png" /> <img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/6c0683a9b0cd8d98913dee5f8c995a7537b6729396810ebd9525aff54a05ae03/2023-02-03-21.18.12.png" data-mid="208625841" border="0" src="https://freight.cargo.site/w/1000/i/6c0683a9b0cd8d98913dee5f8c995a7537b6729396810ebd9525aff54a05ae03/2023-02-03-21.18.12.png" /> I had to stay home in China because of the Covid 19 virus. I have lived in this home for almost twenty years. The general appearance of this space has never changed, while the family in the film has changed over time. Everywhere I look, there are fragments of my memories overlaid. The flashlight light used in the film is like my gaze scanning my memory.It is by seeing them that we prove their existence. The TV is outside the memory itself. As I follow the movement of the aperture in the film with the flashlight again, you see two confused lights being mixed and constructed. The TV no longer simply shows the memory clips that can be played back. At the same time, the process of re-experiencing memory in the brain is being shown - a mixture of internal and external. <img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/878c83afe6021fe7b7a2900f4e0340e91f9f418f33e6e08820e8f32943c294f9/2023-02-03-21.17.53.png" data-mid="208625842" border="0" src="https://freight.cargo.site/w/1000/i/878c83afe6021fe7b7a2900f4e0340e91f9f418f33e6e08820e8f32943c294f9/2023-02-03-21.17.53.png" /> 光去過的地方 HD｜彩色單頻道錄像｜1920x1020｜1’55’’｜2020 因為疫情不得不留在中國深圳的家，在這個家中我生活了將近二十年，空間中的大致樣貌似乎從未發生過改變，而影片中的家人卻在時間中悄然變化。目光所致之處疊合著我的多段記憶片段，影像中的手電筒光如同我在掃視記憶的過程一般，也正因為看見而證明了它們的存在。 電視機外在於記憶本身，隨著我再一次用手電筒去跟隨影片中光圈的移動，你會看到兩道混淆的光被混合建構出來，電視機不再單純展示可被回放的記憶片段，同時間在展示大腦重新經驗記憶的過程——混合著內部及外部。 The film contains a number of clips shot and finally edited into a composite spatial video. https://jiamingzhang.site/Speed-is-the-form-of-ecstasy Wed, 10 Apr 2024 02:09:15 +0000 jiamingzhang https://jiamingzhang.site/Speed-is-the-form-of-ecstasy Speed is the form of ecstasy HD｜Color | &nbsp;Two-channel video｜ 1920x1020｜ 3'20''｜ 2019 <img width="2880" height="1615" width_o="2880" height_o="1615" data-src="https://freight.cargo.site/t/original/i/266ce9c7bfa613cdbca5677f1263fc4ea49cdf868e93500177b599941fe88661/2021-09-06-11.28.26.png" data-mid="208625845" border="0" src="https://freight.cargo.site/w/1000/i/266ce9c7bfa613cdbca5677f1263fc4ea49cdf868e93500177b599941fe88661/2021-09-06-11.28.26.png" /> <img width="3024" height="1701" width_o="3024" height_o="1701" data-src="https://freight.cargo.site/t/original/i/c196c1ac4f480139f964594f98d79a5894fe92f3a092d624400c08b9e3f093e2/2023-02-03-20.52.50.png" data-mid="208625846" border="0" src="https://freight.cargo.site/w/1000/i/c196c1ac4f480139f964594f98d79a5894fe92f3a092d624400c08b9e3f093e2/2023-02-03-20.52.50.png" /> <img width="3024" height="1700" width_o="3024" height_o="1700" data-src="https://freight.cargo.site/t/original/i/d01b119763780ea0a0a51b15d53bb8e50860da2842b1aa7188d89130fc9b87f0/2023-02-03-20.53.17.png" data-mid="208625847" border="0" src="https://freight.cargo.site/w/1000/i/d01b119763780ea0a0a51b15d53bb8e50860da2842b1aa7188d89130fc9b87f0/2023-02-03-20.53.17.png" /> The title of the work comes from a quote mentioned in Milan Kundera's “Slow". The times that were accelerated by the externalization of the body are still the same now. The use of red warning lights comes from life experience and reverses it. I modified the speed of the alarm motor so that the familiar light pattern would change, thus allowing for an unusual viewing angle in daily life. The film has captured some of the flowers and the faces of the characters. For me, I try to show a state of disorientation.Those moments of slowing down and slowing down are like a crack in life, short, fleeting and hard to capture. 速度是出神的形式 HD｜彩色 |雙頻道錄像裝置｜1920x1020｜3’20’’｜2019 <img width="3024" height="1691" width_o="3024" height_o="1691" data-src="https://freight.cargo.site/t/original/i/94432879ff849e1b9bb46148e0f91c097762a75c79b6228ed00bd13deb77e62f/2023-02-03-17.51.35.png" data-mid="208625848" border="0" src="https://freight.cargo.site/w/1000/i/94432879ff849e1b9bb46148e0f91c097762a75c79b6228ed00bd13deb77e62f/2023-02-03-17.51.35.png" /> 作品名字來源於米蘭昆德拉的《慢》所提及的一句話，過去因身體外部化而加速的時代，放在現在依舊仍是如此；使用紅色的警示燈來源於生活經驗，並反轉它。我改造警報燈馬達的轉速，從而讓熟悉的光照方式發生改變，以此讓日常生活能有一個不尋常的觀看視角。 影片中拍攝了一些花叢及人物的面部，對我而言，我試圖展露一種失神的狀態，那種緩慢減速的時刻如同生活中劃開的一道裂縫，短暫、瞬時、難以捕捉。 This is a live film recording of a dual-channel video installation. https://jiamingzhang.site/Read-now-See-past Wed, 10 Apr 2024 02:09:16 +0000 jiamingzhang https://jiamingzhang.site/Read-now-See-past Read now, See pastHD｜Color｜ Single-channel video｜ 1920x1020｜ 8’ 44''｜ 2019 <img width="2880" height="1617" width_o="2880" height_o="1617" data-src="https://freight.cargo.site/t/original/i/18364e0904e8b659a0d138ec4c9e0111a1cb7d0b7cb1bcdd85f3a909cc566f7f/.jpg" data-mid="208625851" border="0" src="https://freight.cargo.site/w/1000/i/18364e0904e8b659a0d138ec4c9e0111a1cb7d0b7cb1bcdd85f3a909cc566f7f/.jpg" /> As a long-time resident of Guangdong-Shenzhen, I keep coming back to my hometown of Jieyang from time to time. The work explores how we should face the loss of our personal memories in this process and how to view the "hybrid ecology". The form of the image is an "inner screen" that keeps rotating, and the images exist in the form of "slices", each of which is an independent existence. At the same time, I am also trying to propose one of the possibilities of the image itself. In this creation, I use my camera and body to face the scene, looking for the sense of contrast and absurdity formed by the combination of reality, spreading my feelings in my images and building my own non-narrative text. 凝視過去是現在事HD｜彩色單頻道錄像｜1920x1020｜8’44’’｜2019 <img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/086d78d0babb9b4190c2ba556e6e581ce4dc4ffdcfb921fb36810c199f2ac8be/2023-02-04-15.55.03.png" data-mid="208625850" border="0" src="https://freight.cargo.site/w/1000/i/086d78d0babb9b4190c2ba556e6e581ce4dc4ffdcfb921fb36810c199f2ac8be/2023-02-04-15.55.03.png" /> <img width="3024" height="1964" width_o="3024" height_o="1964" data-src="https://freight.cargo.site/t/original/i/2e2686e6d2f652b23569d5f9c124ad62aaafbe7c230f84fa53d04fa6b685a757/2023-02-04-15.58.51.png" data-mid="208625849" border="0" src="https://freight.cargo.site/w/1000/i/2e2686e6d2f652b23569d5f9c124ad62aaafbe7c230f84fa53d04fa6b685a757/2023-02-04-15.58.51.png" /> 長年居住廣東-深圳的我總會不間斷的回到家鄉-揭陽。當我不斷回看家鄉時都在因逐漸「 城市化 」而發生一次次改變，並呈現一種混種、雜交的異樣生態，作品探討的是在這樣的進程中我們究竟該如何面對流失的個人記憶，以及如何去觀看「 混種生態 」。 影像的形式是一個不斷旋轉著的「 內在螢幕 」，影像呈「 片狀 」的存在，每一片影像都是一個個獨立的存在，同時我也在試圖對影像本身提出它的其中一種可能性。 在這樣一次創作中，我用攝影機和身體直面現場，尋找現實組合起來形成的反差感、荒謬感，將感受蔓延在我的影像內，搭建出自己的非敘述文本。 A post-production "rotating image" is built into the video surface. https://jiamingzhang.site/The-Golden-Boat Wed, 10 Apr 2024 02:09:16 +0000 jiamingzhang https://jiamingzhang.site/The-Golden-Boat The Golden BoatHD｜Color｜ Single-channel video｜ 1920x1020｜ 2’ 34''｜ 2018 <img width="2880" height="1618" width_o="2880" height_o="1618" data-src="https://freight.cargo.site/t/original/i/1ad188cdc8169c413a62d422d1ed6a30b645e1ae1e78d9920f2df064ebe15607/-2019-03-10-3.53.32.png" data-mid="208625855" border="0" src="https://freight.cargo.site/w/1000/i/1ad188cdc8169c413a62d422d1ed6a30b645e1ae1e78d9920f2df064ebe15607/-2019-03-10-3.53.32.png" /> I rewrote a short essay about an experience I had on a ferry at Nan Ting Pier in Guangzhou. Because I feel that the boat is like a carrier, which connects the two worlds on the other side and the other side. People on the deck are always able to unload their inner thoughts and forget everything for a short time. 船HD｜彩色｜單頻道錄像｜ 1920x1020｜ 2’ 34''｜ 2018 <img width="2500" height="1438" width_o="2500" height_o="1438" data-src="https://freight.cargo.site/t/original/i/98994d35557031623159cd0dcde6281612d8eff697ead21ddfaf289aef231fce/-2018-10-20-21.43.54.png" data-mid="208625854" border="0" src="https://freight.cargo.site/w/1000/i/98994d35557031623159cd0dcde6281612d8eff697ead21ddfaf289aef231fce/-2018-10-20-21.43.54.png" /> 我書寫了一篇散文，講述了我在廣州南亭碼頭渡船上的一段經歷。因為我覺得船就像一個載體，連接著此岸與彼岸兩個世界。而在甲板上的人們總能短暫地卸下內心的想法，合理地忘記一切。 There is no real ship in the film, the text is my abstraction of the narrative. https://jiamingzhang.site/Mouthpiece-Red-Wipe Wed, 10 Apr 2024 02:09:17 +0000 jiamingzhang https://jiamingzhang.site/Mouthpiece-Red-Wipe Mouthpiece, Red, WipeHD｜Color｜ Single-channel video｜ 1920x1020｜ 8’ 44''｜ 2018 <img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" data-mid="208625858" border="0" src="https://freight.cargo.site/w/1000/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" /> <img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" data-mid="208625858" border="0" src="https://freight.cargo.site/w/1000/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" /> Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec a lacus et felis porttitor tempus ac sed eros. Nam dictum finibus nulla vel egestas. Quisque luctus, neque ac dapibus iaculis, magna eros faucibus nibh, a vehicula libero leo id justo. Donec non nisl nibh. Proin elementum vitae ipsum quis posuere. Morbi lacinia ut metus eget finibus. Aliquam eu iaculis nunc, porttitor convallis lacus. Etiam vitae felis id lorem vulputate pellentesque. Nullam at malesuada orci, vel tincidunt est. Vivamus malesuada tortor vel sapien bibendum porta. 紅色，口罩，擦拭HD｜Color｜ Single-channel video｜ 1920x1020｜ 8’ 44''｜ 2018 <img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" data-mid="208625858" border="0" src="https://freight.cargo.site/w/1000/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" /> Quisque vitae ornare tellus, scelerisque Phasellus laoreet vestibulum felis https://jiamingzhang.site/The-weight-of-no-one-knows Wed, 10 Apr 2024 02:09:18 +0000 jiamingzhang https://jiamingzhang.site/The-weight-of-no-one-knows The weight of no one knowsHD｜Color｜ Single-channel video｜ 1920x1020｜ 8’ 44''｜ 2018 <img width="1875" height="2300" width_o="1875" height_o="2300" data-src="https://freight.cargo.site/t/original/i/87487bc7a84ba4f5015a6881a69f85b802b02caa678b444588ea9340bdfe0794/vertical.svg" data-mid="208625860" border="0" src="https://freight.cargo.site/w/1000/i/87487bc7a84ba4f5015a6881a69f85b802b02caa678b444588ea9340bdfe0794/vertical.svg" /> <img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" data-mid="208625859" border="0" src="https://freight.cargo.site/w/1000/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" /> <img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" data-mid="208625859" border="0" src="https://freight.cargo.site/w/1000/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" /> Lorem ipsum dolor sit amet, consectetur adipiscing elit. Donec a lacus et felis porttitor tempus ac sed eros. Nam dictum finibus nulla vel egestas. Quisque luctus, neque ac dapibus iaculis, magna eros faucibus nibh, a vehicula libero leo id justo. Donec non nisl nibh. Proin elementum vitae ipsum quis posuere. Morbi lacinia ut metus eget finibus. Aliquam eu iaculis nunc, porttitor convallis lacus. Etiam vitae felis id lorem vulputate pellentesque. Nullam at malesuada orci, vel tincidunt est. Vivamus malesuada tortor vel sapien bibendum porta. <img width="3001" height="1876" width_o="3001" height_o="1876" data-src="https://freight.cargo.site/t/original/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" data-mid="208625859" border="0" src="https://freight.cargo.site/w/1000/i/266c3eef1a0a1d03e5b656d94771db91d84f98862acfea28c88ca64897e52c0f/horizontal.svg" /> Quisque vitae ornare tellus, scelerisque Phasellus laoreet vestibulum felis